November Stream

November Stream

November Stream

What was a pathway in Summer is now a stream. Excessive rainfall has changed the landscape. The blue of the sky penetrates into this dark corner carried by the recently exposed limestones.

This painting uses only 3 colours (Yellow Ochre, Burnt Umber, Cerulean Blue) plus black and white. There is no medium used, only White Spirits. The size is 16″ x 10″.

Here’s the video of the painting process, see you soon.

 

Atlantic Storm

Atlantic Storm

Atlantic Storm

Still above normal temperatures in the first week of December. This winter we were visited by 4 major Atlantic storms. The weathermen referred to them as Abigail, Barney, Clodagh and the most recent Desmond. What lovely names belying the damage from wind and flooding.

The unusual conditions, including mild temperatures, have presented unusual colours in the landscape. Pockets of growth are adding patches of spring colour.

Empty areas within the painting, like the foreground above, I find more difficult to paint than an area containing a definite object. An empty area may need to contribute to the composition, as above in adding to the movement of the trees, but must remain empty. Its very easy to overdo and create a feature which will upset the composition.

This painting uses only 3 colours, Yellow Ochre, Raw Umber and Cerulean Blue plus black and white. There is no medium used, only White Spirits. The size is 16″ x 10″.

Here’s the video of the painting process. See you soon.

November Sunshine

November Sunshine

November Sunshine

Unseasonal weather in November – 15 degrees C, nighttime temperature.

This painting uses only 3 colours, Yellow Ochre, Burnt Sienna and Cerulean Blue plus black and white. There is no medium used, only White Spirits.

The size is 12″ x 9″.

Here’s the video of the painting process.

Still Water

Still Water

Still Water

Between the turbulence of sky and rapids is a patch of still water. The greeness is slipping away with the blue and brown of winter now dominating the landscape.

I don’t use a particular range of paints for this change in colour. The red of my primary 3 in this case is Burnt Sienna. In due course I will probably replace this with Raw or Burnt Umber to add a rich brown. Reducing green is a case of less blue and yellow in mixes, and more yellow and red for browns and oranges, plus blue and reds for dark purples. Oh the simplicity of the limited pallette.

This painting uses only 3 colours, Yellow Ochre, Burnt Sienna and Prussian Blue plus black and white. There is no medium used, only White Spirits.

Here’s the video of the painting process.

October Wood

October Wood

October Wood

Golden browns against the misty blue/green of the deep woods was the inspiration for this morning scene. A lack of rainfall and wind has left the foliage on many of the trees but this is set to change, the storms are coming in from the west.

The background is painted dry and thin. The only solvent was in the initial raw blue. Yellow and white were added to produce a thin transparent gradient. The distant trees were the same 2 colours, just thicker paint and less white. In fact, the only white was what was left on the brush from the previous mix (I’m using a single brush for the entire painting). These trees had shape and definition which was lost in the blending but I think was necessary for a natural effect.

The blending of colours at this stage will make the later fine lines easier to apply. The distant leaves are brushed into the background and the white in this background colour, changes the rich browns to a softer tone. How different this is to the same colour placed on top of the background as in the foliage in the left foreground.

All paint in the later stages had quite a lot of solvent. It has to be ‘wetter’ than the layer onto which its applied, otherwise the under layer is lifted off the canvas on the brush.

As usual I used just 3 colours, Yellow Ochre, Burnt Sienna and Prussian Blue, plus black and white. I used a single flat filbert bristle and a fine ‘liner’ for the thin lines of trees and branches. The size is 12″ x 9″ and was painted in a single session of about an hour and a half.

Here’s the video of the painting process. See you soon.

Slieve Bloom Stream

Slieve Bloom Stream

Slieve Bloom Stream

This exceptional spell of dry weather is taking its toll on the rivers and streams. The Slieve Bloom Mountains, to the west of where I live, is the source of many waterways which pass this way. With a blue sky overhead and clouds hugging the mountains the reflected blue was a nice balance to the distant mountains. The higher viewpoint, something I don’t normally do, was responsible for this odd reflection and also the sparking white pinpoints.

This painting uses only 3 colours (Yellow Ochre, Indian Red, Ultramarine Blue) plus black and white. There is no medium used, only White Spirits. The red is ever-present to contrast and emphasise the blue in the foreground. This blue is transparent and is painted directly and pure onto the white canvas. This rich transparent colour did not look like much until the ‘milky’ opaque colour of the pebbles are placed nearby.

The painting is 12″ x 9″ and was painted in a single session of about an hour and a half with a single round bristle (No. 12) and a sign painters liner for details.

Here’s the painting process. See you soon.

September Wood

September Wood

September Wood

Shorter days and a low lying sun herald the coming of winter.

This painting uses only 3 colours (Raw Sienna, Alizarin Crimson, Prussian Blue) plus black and white. There is no medium used, only White Spirits. The painting size is 12″ x 9″ and was painted in a single session of about an hour and a half.

Here’s the video of the painting process.