“The unspeakable in pursuit of the uneatable” is how Oscar Wilde described fox hunting. As a few small blobs of paint is how I described fox hunting in this painting. As usual I like to have the activities of men incidental in a landscape and not the subject of the painting. This is the entrance to the woods. A scene I’ve passed several times without noticing the unusual design of the old iron gate. Because the angle of the light was low, it was reflecting off the wet trackway. It looked as if the morning light was invading the woods and the dark places where night hides.
These woods were part of the Kilkea Estate, owned by the Fitzgeralds, who came to Ireland in 1169 ad. They were Earls of Kildare and in the 18th century the title ‘Dukes of Leinster’ was created and applied to the family. Less than a mile away, stands Kilkea Castle. This was the oldest inhabited castle in Ireland until recently. The current owners, who ran a hotel business in the castle, are bankrupt. So the castle is now unoccupied for the first time since 1180 ad, when it was built.
A limited number of colours used again. Indian Red & Raw Umber (red), Raw Sienna (yellow) and French Ultramarine (blue). Also black and white. ‘There is no light without darkness” certainly applies to this scene. Without a lot of bright colours I think I’ve succeeded in suggesting early morning brightness. It’s a difficult time of the day to paint. Like a sunset without the orange glow.
The video shows again how dark the entire painting must become before the light is introduced. It will look disastrous. But remember, it will be disastrous if you are trying to make the painting look ‘finished’ at every construction stage. It should only look good at the end. This is a problem if you allow onlookers to comment on your work as you are painting. They are commenting on how ‘unfinished’ it looks and can’t know the reason why you are painting everything dark or doing some other inexplicable process.
The video will be ready in a few days. The painting time was about 2 and a half hours and this requires a bit of time to get it ready. See you then.
The foreground leads the viewer on a wonderful walk. Terrific painting.
Hi. I like a lot about this painting… the wetness of the road, the trees against the horizon and the wire of the fence. Very nice composition. Jane
I liked your paintings, but as I see all the pictures look very gloomily and dark. I think it is because a photo. May be you need to make an Autocontrast or Gama correction in photoshop for example. Look at this picture, is it represent better your painting or not?
Sorry for my English…
Thank you Alexander. You are right about this painting. I have corrected the levels. It is very difficult to photograph a wet painting because of gloss. I usually take 5 photos, 1 and 2 third stops below and above ‘correct’ exposure. Usually 1/3 underexposure looks closest to actual painting. The colour balance is never right at overexposure, the colours are weak. Recently I have been setting white balance in camera on white canvas before I start to paint. Your photo is near correct exposure but colour balance is too much red and contrast is too high. Without pure white it is difficult to get colour balance right. Thank you for pointing out the incorrect colour in painting photo.
Oh, yes! The light is perfect for early morning when even a bright day seems to start out grey.
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It’s just beautiful- and in the “corrected” photo, there are really lovely tones on the gate. Looks very like the woods at the end of our lane! x
I love the early morning look in this picture! the sky reflected in the trackway & just a hint of mistiness in the distance. Great job!
Thank you Kathleen.
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