The scene is near where I live. The bridge spans the canal, south of the town of Athy. I don’t know why this bridge is named ‘Bunbury’s’. The bridge is disused now as it was on the entrance to Kilmoroney House which is now a ruin. Kilmoroney House was built before the canal arrived here in 1791, so the bridge was probably built at the expense of the canal company as it crossed the entrance to the house. Its possible Bunbury was the contractor who built the bridge.
This week we had 24 hours of rainfall, non stop. One average month’s rainfall, in one day. Now the sun is shining again, and after the recent rain the air is clear and its extremely hot. This affects the colours in a sunset. The last post also featured a sunset with the colours we are more familiar with – reds, oranges and yellows. This sunset is after the rain and the colours are very muted. This is reflected in the palette of colours used. There are still only 5 colours used and they are the same as the last painting [Cadmium Red (red), Cadmium Yellow (yellow), French Ultramarine (blue). Viridian Green, Raw Umber] EXCEPT Cadmium Red is replaced with Burnt Sienna.
The composition would appear to break one of the basic rules, which is ‘never put the centre of interest in the centre of the painting’. The bridge is dead centre and other elements are ‘see-sawed’ either side of this pivot. Its hard to plan this type of structure before starting to paint the picture. It has to be constructed almost like putting children on a see-saw. Two five year olds on one side will weigh the same as one ten year old on the other, or so you think. When the ten year old is outweighed, you add another three year old beside him, but now these two outweigh the other two, and so on, if you follow my drift.
So it is with this type of composition. The large tree was supposed to balance the tow-path and smaller trees on the left. It was too heavy, so I put a gap in the line of trees to add more interest and give extra ‘weight’ on this side. It did, but too much. So more detail on the near right was added… and so on… and so on. Its more time consuming as constant reworking of already painted areas can go astray if concentration is lost. The total time of painting was about three hours. A lot of time was spent just looking at the painting, the actual time of painting was under an hour and a half. I can tell this from the video recording, which I will have in the next post. See you then.
Reblogged this on Conceptual Art.
As usual your painting is splendid. I love the history you provide with your paintings. Thank you
You’re welcome Beatrix, and thank you.
The name Bunbury appears in Oscar Wilde’s The Importance of Being Earnest. As far as I can remember it is the alter-ego that Algernon creates to excuse himself from his real life and indulge in all sorts of debauched pleasures.
Thank you for the comment Alasdair. Bunbury is not a common name in this area, but it must have been in the past as there are quite a few places named after Bunbury.
Super painting – very Freudian…
Thanks for the comment John, very deep 🙂
Love the sky!