This is more of an exercise in paint mixing and handling than in producing a painting. Specifically relating to Cadmium Yellow, a colour I’ve only recently started to use in the series of Autumn paintings, just completed. Its easy to see how this colour would suit the strong yellows and oranges of Autumn but as the Winter approaches I was wondering was there a place for this strong colour in the cooler landscapes.
The first test was to see could I place the yellow on a blue background without the usual strong greens associated with this mix. This is important for me as I’m an ‘alls prima’ painter (single session, wet on wet) and there are times when I don’t want greens occurring when blues and yellows get close together. Its the ‘wet on wet’ which causes the problems. If the blue background was allowed to dry completely, a yellow like Cadmium with a little white added to make it less transparent could be painted over the blue layer. This layer would cover the blue with yellow, and without the mixing there would be no green.
The sun on the blue worked reasonably well. A band of green around the sun would not be welcome. But the actual application of the colours was a bit restrictive (see the video below). In the reflection on the water, you can see the green from the blue/yellow interaction. Its probably OK in this area of the painting, but its not a Winter colour.
The result of this experiment is that I will not use Cadmium Yellow in the series of Winter paintings I’m about to start. It is a very dominant colour. I would have preferred to have yellow in the sky, not much but a little. But that ‘buttercup’ tinge would have ruined this cold winter sky. Without a little warmth, the blue lacks dimension, its almost monochrome. I could of course use different yellows for different parts of the painting, this is heading down the road of multiple colours and the resultant lack of harmony with richness.
Anyway, here’s the video. See you soon.