I used Yellow Ochre in this painting, as the only yellow in a palette of three colours. The other two are Alizarin Crimson and Prussian Blue. Its similar to my last painting in subject matter and also its a three colour painting with the difference of Cadmium Yellow replaced by the Ochre. In retrospect, I think the Cadmium would have been better in terms of variety of colour and vibrance. I’m pleased that I’ve managed to include a lot of Crimson without it dominating the painting as it did in ‘Winter Stubbles‘. I will have to decide to stick with a set of strong colours, or weak colours and not mix them unless for a very specific reason.
In recent months I had stopped using a medium in paint mixes. These paintings are ‘oiled out’ now and I’ve noticed a definite lack of ‘body’ in the paint layer when compared to previous paintings. The ‘oiling out’ does correct the problem to an extent and so to ‘beef up’ the paint layer I’ve started to introduce Liquin, in tiny amounts, to the mixes. At the moment this means using a second container with a very dilute solution (25%) of Liquin and White Spirits which is added a few drops at a time as I mix the paint. The other container has White spirits only. Even this small amount of Liquin makes the paint flow better than with solvent alone especially in fine lines. It does make painting easier.
Remember if you use Liquin or a similar medium be sure to ‘oil out’ with a pure vegetible oil like Linseed if you intend to varnish the painting. I will post the video of this painting in a few days, see you then.
Amazing image. I’ll look forward to the video to see how it was created. Your work still amazes me.
Thank you again.
Now you have me searching for the elusive Alizarin Crimson…trees in the far distance? Reflection of the dried reeds in the water on the right? You are very subtle with it. As always, your water and sky is just brilliant (not that everything else isn’t, mind you)!
Thank you Pierr. The Crimson is mostly in the dark colours, where it is neutralised by the Blue.