Even at midday, with the sun shining brightly, the shadows were still covered in frost from the previous night. Last years growth of wetland rushes and grasses, now dry and brittle, were ablaze in light yet perfectly in harmony with the velvet green of ice covered fresh growth.
I used a colour, Olive Green, in combination with Yellow Ochre, Burnt Sienna and Prussian Blue to produce this warmth of spring growth finally covering it with the frosty green of Ochre and Prussian. In oils, Olive Green is almost brownish in colour. A distinctive colour and because of this it had to be used in the sky mixes to knit the sky and foreground together.
The initial sketch of the mid and foreground were painted in raw colours with solvent only. This produced rich transparent colour which was not completely covered by final layers of paint. These patches of transparent colour have an inner glow and help to emphasise the opaque highlights of the direct sunlight.
I an now placing a small blob of Liquin on the palette, not in a dipper as before, almost as if it were a colour. It is viscous enough not to flow and stays put. I can control the quantity in various mixes by scooping a little, as required, and adding it to the appropriate mixes.
Here is the video of the painting process, see you soon.
Painting in my view takes more practice and concentration to paint nature. The determination that you put into it is awesome!
Reblogged this on Lavender Turquois.
So evocative of the promise of spring, it sings through your painting Liam…