I normally lay down layers of raw colour with solvent only and use the transparency offered by these washes as part of the final painting. Rich shadows, onto which the final opaque colours are painted, can achieve the depth of colour as seen in the previous painting (here).
This time I was interested in a bright, lightly coloured woodland scene. The initial colours were not the unmixed raw colour, as in previous painting, but an opaque light blue in the sky and a grey in the foreground. Solvent only was also the method of application and although the solvent evaporates quickly the paint layer will still be wet enough to mix with subsequent added paint layers. This can cause problems as the white will ‘muddy’ any attempts to paint rich shadows.
So when painting the final colours I made them darker than normal and flooded the colour with loads of solvent. In some places the colour was unmixed and picked up the lighter under colour. This was OK for mid tones, but the deeper colours were dropped in as blobs of liquid paint. In this situation the liquid tends to fill the lines left by the previous brush strokes and you can get some nice random shapes. Remember the painting will dry very flat and disappointing and will definitely need ‘oiling out’ to restore the colour.
The painting is 12″ x 9″ and the colours used were Cadmium Yellow, Burnt Sienna and Ultramarine Blue plus black and white.
Here’s the video. See you soon.