Away from the frenzy of the harvesting, all is quiet here in the marginal land. To see some traditional Autumn colour I will have to go to the woods. Here all is wet and green still, with the darkening days the only reminder that summer is over.
In this painting I used a round bristle instead of my usual filbert. As I am now using a single bristle brush and a liner for details I wanted to see how this single brush technique would work for me. I found the round shape less versatile than the filbert, which, if you don’t already know is a flat with a domed shape. It does have the advantages of a flat for blending and covering large areas fast and also the domed shape allows details to be added. I thought the round would be better for lines, like the trees on the left.
This would have been the case with traditional painting, where the under coat is allowed to dry. No so in this ‘all prima’ method. The bristle picked up more paint than it put down so I finished off this section with the liner. In ‘alla prima’ the applied paint must contain more solvent than the under layer. This works well with the liner (liner = sign painters brush for applying long unbroken lines). The large bristle brim full of solvent might put down paint but not as fine lines.
So for the time being, I will stick with the filbert for the bulk of the painting and the liner for details and fine lines.
This painting is 12″ x 9″ and was painted in under 2 hours. As usual I used 3 colours, Winsor Lemon, Alizarin Crimson and Ultramarine Blue plus black and white. There is no medium used, only White Spirits as I need the solvent to evaporate to make the later layer sit on top without too much interference from the under layers.
Here’ the painting process, see you soon.
Glorious, and so informative. Thank you
Thank you again Rosie.
Thank you Tania. Glad you liked.
Vos tableaux sont très beaux,merci de les montrer.
Vous êtes très bienvenu. Merci.