November Fog

November Fog

November Fog

The greyness of fog will soon melt away in the morning sun.

I like to have fine line details in my paintings, such as in the trees or foreground grasses. I also like these details to have a natural look. This is a difficult task. Some very small details can be suggested as in the distant trees or the very small branches in the 2 trees on the left in this painting.

I use a very fine nylon brush for the details which have to be seen, the tree trunks and fence posts for example. Carrying a solvent rich quantity of paint on the brush can produce these lines on the wet under colour. The smaller details can be dragged out of these ‘reservoirs’ of liquid paint with the tip of the fine brush. As with the trees here, they were populated quickly with lots of smaller branches using this technique.

For foreground grasses the same applies – blobs of liquid paint are put in place, sometimes outside the edge of the painting and flicked upwards with the fine brush.

This painting uses 4 colours (Yellow Ochre, Alizarin Crimson, Raw Umber, Cobalt Blue) plus black and white. All colours are Alkyd Fast Drying Oils, except Cobalt Blue. The medium used is Liquin and White Spirits. The size is 16.5″ x 12″ and was painted in a single session in under an hour and a half.

Here’s the painting process, see you soon.

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8 thoughts on “November Fog

  1. ” Le brouillard rampait et semblait se coller à la terre humide.”

    La Mare au diable (1846) de Aurore Dupin, baronne Dudevant, dite George Sand

  2. “Le brouillard rampait et semblait se coller à la terre humide.”
    La Mare au diable (1846) de Aurore Dupin, baronne Dudevant, dite George Sand

  3. “Le brouillard rampait et semblait se coller à la terre humide.”

    La Mare au diable (1846) de Aurore Dupin, baronne Dudevant, dite George Sand

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