The Hidden Cold
A little bit of Eastern European weather came our direction recently. No rain or snow, just cold air. The landscape is desiccated and even the evergreens have yellow and orange colours. Warm colours, cold walking.
When you view the accompanying video, notice the 2 ‘dippers’ on my palette. The lower one contains solvent – White Spirits, a petroleum derivative, the upper one I rarely use and when I do, contains Liquin and solvent. The proportions are 25% Liquin, 75% solvent. I use this when the weather is warm as it slows down the evaporation of the solvent.
‘Dippers’ clipped onto the palette and brushes ‘dipped’ therein is the traditional method of adding solvent or medium to paint mixes. What a mess this makes. How do you keep the liquids clean? I use very few colours and a bit of cross mixing will not do much to ‘dirty’ my colours, but with a large number of different colours, all adding their bit to the liquids, makes it impossible to keep colours from becoming muddy.
I use a plastic pipette and add the liquids to the paint mix. I can add a specific quantity, a drop at a time, until I reach the consistency required. Check it out in the video below.
This painting uses only 3 colours (Indian Yellow, Permanent Rose, Prussian Blue) plus black and white. There is no medium used, only White Spirits. The size is 15.75″ x 9.75″ and was painted in a single session in under 2 hours.
To view in realtime change setting to .25. Also, quality can be set up to 1080HD.
A little bit of frost remains on the grass as a warm front moves in.
One of the most frequent requests I get is to upload a ‘realtime’ video of the painting process. This was technically impossible for me because of the file sizes involved and my broadband was not good.
Recently my broadband capacity got a boost and I can now upload much bigger files. The video I uploaded in this post can be slowed down to the ‘realtime’ speed using the YouTube settings. By doing it like this the file size is still 25% of an actual realtime file but the movement is a bit blurred. Needless to say, the speed can also be increased to my previous setting.
Also remember the viewing quality can be maxed up to 1080HD in the same settings (All this depends on your broadband speeds).
Please excuse the missing start of the painting. In my experimenting, I ‘lost’ the first part of the painting video.
This painting uses only 3 colours (Indian Yellow, Alizarin Crimson, Prussian Blue) plus black and white. There is no medium used, only White Spirits. The size is 16.5″ x 12″.
Here’s the video. See you soon.
Fog and mist hang in the air.
The size is 16.5″ x 12″. Painted in a single session. 3 colours used Indian Yellow, Alizarin Crimson, Ultramarine Blue plus black and white. There is no medium used, only White Spirits.
Here’s the video of the painting process.
The photo of the painting can be seen enlarged by clicking on the image above.
The YouTube setting allows the video to be played at a slower / faster speed or the quality to be changed up to 1080HD.
See you soon.
Gold sky and frosty silver shadows, has given this mucky lane a certain charm.
Only 3 colours used (Indian Yellow, Alizarin Crimson, Ultramarine Blue) plus black and white. The medium is Liquin and White Spirits. The size is 16.5″ x 12″, painted in a single session.
Here’s the painting process, see you soon.
The greyness of fog will soon melt away in the morning sun.
I like to have fine line details in my paintings, such as in the trees or foreground grasses. I also like these details to have a natural look. This is a difficult task. Some very small details can be suggested as in the distant trees or the very small branches in the 2 trees on the left in this painting.
I use a very fine nylon brush for the details which have to be seen, the tree trunks and fence posts for example. Carrying a solvent rich quantity of paint on the brush can produce these lines on the wet under colour. The smaller details can be dragged out of these ‘reservoirs’ of liquid paint with the tip of the fine brush. As with the trees here, they were populated quickly with lots of smaller branches using this technique.
For foreground grasses the same applies – blobs of liquid paint are put in place, sometimes outside the edge of the painting and flicked upwards with the fine brush.
This painting uses 4 colours (Yellow Ochre, Alizarin Crimson, Raw Umber, Cobalt Blue) plus black and white. All colours are Alkyd Fast Drying Oils, except Cobalt Blue. The medium used is Liquin and White Spirits. The size is 16.5″ x 12″ and was painted in a single session in under an hour and a half.
Here’s the painting process, see you soon.
Still a little snow here and there. I have exaggerated the amount for dramatic effect.
I used low odour solvent in this painting. It did not suit my method which uses a lot of solvent, allowing it to evaporate and building up layers of paint. A bit like a watercolour method but using solvent instead of water. This solvent did not evaporate quickly but lingered on causing all kinds of issues. It would be OK in traditional oil painting where layers are allowed to dry for a few days before proceeding. These issues relate to my ‘wet on wet’ method where the under paint must be ‘dryish’ before later layers are added. I don’t like thick ‘greasy’ paint as introducing fine lines or details is nearly impossible.
The low odour solvent has a high boiling point so it evaporates much more slowly, thus reducing the concentration of vapour by releasing it over a longer time. Its probably in the interest of safety, reducing the exposure and fire hazard. This issue arose because my usual supplier of W&N white spirits is now shipping in small containers only, again to do with health and safety. These small quantities will work out expensive but I have no alternative at the moment.
This painting uses only 4 colours (Indian yellow, Permanent Rose, Raw Umber, Cerulean Blue) plus black and white. The medium used is Liquin and White Spirits. The size is 16.5″ x 12″.
Here’s the video, see you soon.
The first snow of the season. Autumn colours, not completely blanketed in white, are still there.
The under colours mix a little with the overpainted white and add so much colour in faint shades. There is always a danger of snowscapes being sterile and stark. I apply all the usual colours of a standard landscape as transparent layers with very little medium and then apply the white. Its helpful to do this ‘wet on wet’ as I have done here in this painting.
The size is 16.5″ x 12″ and was painted in a single session of about 2 and a half hours. The colours are: Indian Yellow, Permanent Alizarin Crimson, Dioxozine Purple, Ultramarine Blue plus black and white. The medium used is Liquin and White Spirits.
Here is the video of the painting process, see you soon.