Fog and mist hang in the air.
The size is 16.5″ x 12″. Painted in a single session. 3 colours used Indian Yellow, Alizarin Crimson, Ultramarine Blue plus black and white. There is no medium used, only White Spirits.
Here’s the video of the painting process.
The photo of the painting can be seen enlarged by clicking on the image above.
The YouTube setting allows the video to be played at a slower / faster speed or the quality to be changed up to 1080HD.
See you soon.
Gold sky and frosty silver shadows, has given this mucky lane a certain charm.
Only 3 colours used (Indian Yellow, Alizarin Crimson, Ultramarine Blue) plus black and white. The medium is Liquin and White Spirits. The size is 16.5″ x 12″, painted in a single session.
Here’s the painting process, see you soon.
The greyness of fog will soon melt away in the morning sun.
I like to have fine line details in my paintings, such as in the trees or foreground grasses. I also like these details to have a natural look. This is a difficult task. Some very small details can be suggested as in the distant trees or the very small branches in the 2 trees on the left in this painting.
I use a very fine nylon brush for the details which have to be seen, the tree trunks and fence posts for example. Carrying a solvent rich quantity of paint on the brush can produce these lines on the wet under colour. The smaller details can be dragged out of these ‘reservoirs’ of liquid paint with the tip of the fine brush. As with the trees here, they were populated quickly with lots of smaller branches using this technique.
For foreground grasses the same applies – blobs of liquid paint are put in place, sometimes outside the edge of the painting and flicked upwards with the fine brush.
This painting uses 4 colours (Yellow Ochre, Alizarin Crimson, Raw Umber, Cobalt Blue) plus black and white. All colours are Alkyd Fast Drying Oils, except Cobalt Blue. The medium used is Liquin and White Spirits. The size is 16.5″ x 12″ and was painted in a single session in under an hour and a half.
Here’s the painting process, see you soon.
The first snow of the season. Autumn colours, not completely blanketed in white, are still there.
The under colours mix a little with the overpainted white and add so much colour in faint shades. There is always a danger of snowscapes being sterile and stark. I apply all the usual colours of a standard landscape as transparent layers with very little medium and then apply the white. Its helpful to do this ‘wet on wet’ as I have done here in this painting.
The size is 16.5″ x 12″ and was painted in a single session of about 2 and a half hours. The colours are: Indian Yellow, Permanent Alizarin Crimson, Dioxozine Purple, Ultramarine Blue plus black and white. The medium used is Liquin and White Spirits.
Here is the video of the painting process, see you soon.
A few recent frosty nights has denuded this row of blackthorn trees and left them in a decidedly ragged state.
Most of this painting is composed of transparent shadow colours. I’m using Liquin medium in a lot of solvent to achieve the transparent effect. I would like to use solvent only in these layers for the ease of overpainting trees and leaves later on. But the solvent on its own does not form a paint film and seems to wash the paint into the weave of the canvas, exaggerating the texture.
24 hours later the painting is dry (remember I use some Alkyd fast drying paints) and very dull. A day later I will ‘oil out’ and the colours will return to their original glory.
The size is 18.5″ x 16″ and was painted in a single session of about 3 hours. The colours used are Indian Yellow, Burnt Sienna, Dioxozine Purple, Ultramarine Blue plus black and white. The medium is Liquin and White Spirits.
Here’s the video of the process. See you soon.
Shady River Bank
Cold and colourful, the essence of Autumn.
This painting is 16.5″ x 12″ and uses only 3 colours (Yellow Ochre, Permanent Rose, Ultramarine Blue) plus black and white. The medium is Liquin and White Spirits.
The days are shortening and colours are getting greyer, Winter’s coming.
In the painting of the sky, the brush strokes were very obvious because I used solvent only, and lots of it. I don’t like this effect in the sky which should be soft and misty. These brush marks are lessened by blending the paint layer. After the lower part of the painting was completed (in about 1 hour), the solvent had evaporated sufficiently in the sky to allow the paint to be blended. I used a clean large filbert brush to blend the sky colours.
The size is 12″ x 16.5″ and was painted in about an hour and a half. As usual there are only 3 colours used, Yellow Ochre, Raw Umber and Cerulean Blue plus black and white.
Here’s the video, see you soon.