Rough Winds – Time Lapse Painting

Rough Winds, Kellyville Lake

Rough Winds, Kellyville Lake

In the last posting I mentioned a little about the construction or composition of this painting. Its a subject I’m the most uncomfortable with because its that which starts as a vague idea and grows into a form  continually changing. The inspiration driving us to attempt a particular painting, decides the shape and direction the painting will follow. So its difficult to quantify and put into words.

In traditional landscape painting there are simple guidelines like placing objects off centre and balancing the the whole arrangement. In reality I find it much more complicated than this but I like having a framework or guide to follow. Its difficult to create in a vacuum.

All painting is ultimately abstract. The apparent balance, colour harmony and recognisable scene, etc., collectively are like the cover of a book – an invitation to read the contents. Unlike a book the contents are not literal, more like a piece of music, you like it or you don’t and you can’t say why.

I learn a lot from watching other artists work. As the saying goes, ‘a picture is worth a thousand words’ and a moving picture is worth even more. Here is the video of this painting. See you soon.


Rough Winds, Kellyville Lake – Oil Painting

Rough Winds, Kellyville Lake

Rough Winds, Kellyville Lake

‘Rough winds do shake the darling buds of May’ (Sonnet 18, W. Shakespeare), and we are getting our fair share of rough winds at the moment.

I started this painting with 3 colours only, Yellow Ochre, Burnt Sienna and Prussian Blue, and decided after a few minutes to add Viridian Green. I was interested in producing a natural landscape of a typical May day and the greens produced by mixing Yellow Ochre and Prussian Blue when placed in situ just didn’t look rich enough. At this early stage in the painting I was able to add green to the sky to spread the strong green around a bit. A strong colour can look unnatural if it is confined to a small area as it was going to be in the left foreground of this painting.

The composition is a little odd. Diagonal lines can suggest movement, so the sky was composed in this way. Its diagonal is strengthened by connecting to the solid left lower corner. This is a hidden structure to help the feeling of movement conveyed by the trees and vegetation  in the scene. The vertical line of the lake, lower centre, could have continued the diagonal line and moved to the left but I think as a strong vertical it draws attention to the trees and grasses and how strong the wind is.

I will post the video in a few days. See you then.